International Print Media: Canada Globe and Mail, Deseret News, Al Jazeera, Illustrato Magazine, Fine Art Magazine, Poets & Artists - USA Today, Wikipedia, The Art Story, Art Info, Numéro Cinc, UK Daily Mail, NY Examiner, UK Telegraph, Empty Kingdom, European Union Times, American Art Collector, Art & Antiques, Art Miami Magazine, Huffington Post, Village Voice
Books and Catalogs:
Cave Painting to Street Art, Rizzoli Publishing,
Une Street Historie de l'art, Editions Gallimard,
Art: The Whole Story, Thames & Hudson Publishers,
American Culture in the 1980's, Edinburgh University Press,
Hyperrealism: When Reality Becomes an Illusion, Moscow Museum of Contemporary Art,
Fascination with Reality-Hyperrealism, Olomouc Museum of Art,
Hard Times: An Artist's View Travelling Show, Salmagundi Club, Butler Institute of American Art and Springville Museum of Art
Broadcast TV and Cable Interviews:
Australian News,
MSN TV,
BBC TV,
WOR TV,
FOX TV,
WVIA,
WVYA,
Cable News 12
Exhibitions and Competitions:
European Museum of Modern Art (Juror),
Museum of Modern Art (MoMA),
State University of New York Downstate,
Brooklyn Museum,
Butler Institute of American Art,
Pratt Institute,
Whitney Museum,
National Gallery of Art,
State Tretyakov Gallery Moscow,
Montclair State College,
Central House of Artists,
Daejon Museum of Art,
Sotheby's,
Pierre Bergé & Associés Paris/Brussels,
Rutgers University,
National Galleries of Scotland,
Tate Modern,
Museo d'Arte Moderna Milan,
Long Island University,
Springville Museum of Art,
Moscow Museum of Modern Art,
CZ Museum of Modern Art
Selected Citations: "One of the first Photorealists
to emerge in New York,
Denis Peterson pioneered a painting genre based on the literary works of
Baudrillard. He named the splinter art movement Hyperrealism,
a revolutionary turn from Photorealism."
"His first Hyperreal work Dust to Dust was designated in an art history textbook timeline as the start of Hyperrealism Painting
(Rizzoli Publishing),
sparking a phenomenon that burgeoned into a world-wide movement."
"Estes,
Peterson,
Flack,
and
Close
often worked from photographic stills to create paintings that appeared to be photographs.
Chuck Close
and
Denis Peterson are praised for their skill and ability to transform their vision into an astounding piece of art.
Both painters utilized advanced airbrushing techniques to achieve a smooth and precise photographic surface quality."
"While Close's monumental paintings forced an uncomfortable intimacy upon the viewer,
Peterson's work conveys a sense of inwardness and refective self-consciousness. It differs from
the idealizing, more deadpan aspect of figures in Photorealism which appear either fetishistic or as mere individuals in the urban scene."
"Peterson's work addresses a sense of loss, pain/angst in a culture dominated by corporate America.
People are viewed (once again) as individuals though caught in the overwhelming
commodification of everything, some so completely lost, that they are no longer individuals. The deafening silence is a painter's moral imperative to controvert society's acquiescence."